Thursday, 15 June 2023

PADAV: DAY 5

Closing Session: Art Exhibition & Interaction with Guests

It was a wonderful day for all the artists! Starting their painting early in the morning and working until the afternoon shows their dedication and commitment to their work process. Setting up the exhibition at Kaaya Learning Centre must have been an exciting and fulfilling experience for everyone involved.








After a productive day of artistic creation and exhibition preparation, it's great to hear that
everyone enjoyed some leisure time in the evening. Going out and having a party with singing and dancing created a joyful and celebratory atmosphere, allowing the artists to unwind, socialize, and further strengthen their bonds. Overall, the day's activities, from painting to exhibition setup and the evening festivities, contribute to a vibrant and supportive artistic environment. These experiences not only allow artists to showcase their talents but also create lasting memories and connections, enhancing the overall artistic journey for everyone involved.

However, please see below the video created and compiled one of the fellow, showcasing their experience of the first Padav workshop.

video credit: Aakash

Wednesday, 14 June 2023

PADAV: DAY 4

 Individual Technical Sessions: With Mentor on their Art

One of the primary goals of the mentor is to review the previous work of each fellow, assess their comfort zones, natural inclination, any consistency or pattern that are there. The other part is listening to their story of practice, what comes easy, what is difficult, how much time they spent on their work etc. And then observe them while they are at work. See their layout, strokes, choice of colours and guide them whenever it is appropriate.



Session 2: Art Journey of Jagmohan (Part 2)
In part one, Jagmohan discussed his art journey up to New Delhi, 2005.  It highlighted ups and downs and growth of the works he was producing then. His art can be put in the broader category of largely figurative works. Since, most of the current fellow’s work reflected figurative work only, it was decided to take up the transition from figurative to abstract in part 2 of the presentation. Splitting presentation in two, resolved confusions (noticed in previous workshops) where in some fellows became contemplative, and couldn’t pick up the brush to get feedback on their individual work.


So, while first part of journey was designed to motivate and help fellows exercise their full potential as artists, the second part of Jagmohan’s journey was to inspire fellows to dream more Jagmohan shared second part of his journey that began at Winchester School of Art, in United Kingdom while pursuing a master’s degree in painting. Till then, he had already developed a significant body of work with some commercial success, he thought journey onwards would be a relaxed and expected to refine his skills in this new environment.


However, contrary to expectations, within first couple of weeks, Jagmohan realized the challenge. His professors showed little interest in his current artwork and pushed him to produce new art. The education format was very different, fellow students could critique his work, he was given references to read, or to study other artist’s work. While at the workshop, there was the constant pressure to create. This pressure pushed Jagmohan towards finding his own unique artistic language. It was revealed to him in his darkest recess when he cried out for his mother ‘Maa’ and wrote it repeatedly on the canvas. Surprisingly, next morning, it got the nod of the professor to explore it further.

Once the despair is lifted, the strokes became confident, and another journey began into the trance, rhythm, colours and forms of text in his art. This continues to evolve gradually in subsequent years when he returned to Delhi. These nuanced shift were beautifully captured by Jagmohan in his presentation through slide show of select art works and their link with related happening or states of mind.  

Session 3: Art Journey of Punam Sharma

Delhi-based painter, Punam Sharma, usually experiments with different medium and her work is pure abstraction. After her formal MFA degree, she moved from oil on canvas to paper and enjoyed abstractions, seldom using colours & brush. A few years back, she has developed a unique style with paper-on-paper and textile on other mediums. She is also a passionate art teacher, who even draw a lot from observing how art takes unpredictable shapes in young hands.



Punam’s presentation contrasted with Jagmohan’s arduous journey, focusing on the exploration of art from a vantage perspective. Drawing from childhood ideas and impressions, as well as observed experiences, this approach involves navigating the abstract mind space to arrange and examine various layers, effects, and contrasts. The significance of this presentation lies in emphasizing that there is no single path for artists. Each individual must move towards their own unique exploration process. However, one should take it as an advice, to exhaust all the possibilities as one moves from one body of work to another.  For an artist, this is a continuous journey.


Tuesday, 13 June 2023

PADAV IN SOCIAL MEDIA & NEWS

 https://www.instagram.com/p/Cteipxhrn_4/   https://www.instagram.com/p/CtZbOUSv-j4/

https://www.instagram.com/p/CtcHYbyONlp/      PADAV: PHOTOGRAPHS



PADAV: DAY 3

Individual Technical Sessions: With Mentor on their Art
This was an intense one-to-one interaction of each participant fellow with Jagmohan Bangani and Poonam Sharma. The individual session focused on fellow’s previous art creations, current ideas for new project, and future aspirations. These sessions cleared individual fellows’ doubts, sharpened their ideas on the layout, feedback on the kind of art they are making and what they should explore further. Relevant references, contacts and guidance was provided on the spot that could support each fellow’s individual journey. Indeed the individual sessions were exhaustive and often draining for Mentors, some even lasting up to two hours.



Evening Guest Session: With Nidhi Panta on Art Markets
Nidhi hails from Uttarakhand and was grounded in arts from Kala Kendra, Dehradun. She moved to work in Delhi Art Gallery 20 years back, gained experience in Art Markets before moving to ARTREY in Gurgaon, known for generating valuable insights on Global Art Work Auctions, market prices and trends. Currently, she is an art consultant.

Nidhi’s session dymystified the Art Markets, the fellows got to know how it works, who is buying, the nature and type of art markets, the role of Investors, collectors, galleries, exhibitions and auctions. Much of the discussion was around what sells, how to price your art work and how to leverage different agencies to make your art stand out.


The key takeaway was that the art market exists, despite some shocks, it is growing exponentially, with online and virtual galleries, lots of spaces exist to enter markets, provided one has done a good homework on one’s artwork.


Monday, 12 June 2023

PADAV: Day 2

 Session 1: Mentor’s Journey (Part 1)

This was an intimate conversation session, where Jagmohan Bangani, (the mentor) shared his personal journey of growing up in a remote village in Uttarkashi, narrating stories around the challenges he faced while pursuing education. He also mentioned various balancing acts that were essential in moving from one goal post to another. His experiences resonated well with the participants and there was an immediate connect since each fellow could relate to one or the other dimension of his own state.

The narrative highlighted how his lifelong pursuit of art was never easy. It was rife with obstacles and challenges in getting education, overcoming family expectations and pushing himself to move forward towards fulfilling his passion for art, one step at a time, without losing hope. From early childhood, he found joy in sketching, learned photography, and even began doing small, odd jobs like writing slogans on wall, painting banners or cover designs to support himself. Later these skills helped him not only to retain some financial independence when he moved from the village, to town, to other cities in securing education but also provided consistency in his connect with the art itself.

At this point, the sharing became a bit intense. So, a break was provided for the participants to be with their thoughts and if need be, they can share among themselves, the relevance of what they heard and how it resonated within their own personal lives.

After the break, Jagmohan continued sharing his experiences in Delhi, where he found himself entering the world of Art. One takeaway from his story was his intense drive to learn, that time, he often spent hours sketching at railway stations and bus stands, sometimes creating up to 150 sketches in a single night. His routines suggested that dedication and hard work are required to master skills and once one is comfortable, one can extend, explore and achieve perfection in their craft.

Session 2: Art Journey (Part 1)
In this technical session, Jagmohan Bangani presented a slideshow depicting his evolution as an Artist. Using pictures from each year, the presentation brilliantly depicted shifts in his art works overtime, from his early days of sketching, figurative works, and portraits to more complex works between 2001 and 2005. The participants could see how he grew as an artist, how his personal exposure to readings, other artist’s work, his own mental states, and struggles influenced him and could see its reflection in his Art.

 
He also drew the attention of participants to the possible conflicts within the artists. Beginning from the purpose of creating, ascribing meanings, and finding balance between the needs of market and self-expression.

He underscored the need to have a research mind at this stage of getting comfortable with skill, form and medium, to explore what others have done, look at their body of work, avoid falling in the trap of spending all energy into perfecting something, that had already been explored, and finally to arrive at something different.

This insightful presentation allowed participants to witness an artist’s growth over time in a clear and engaging manner and left them motivated enough to pick up their pencils.

Saturday, 10 June 2023

PADAV: Day 1

 Session 1: Stretching Canvases 

Attaching a canvas to a stretcher is an essential skill for artists, and it's great that the participants had the opportunity to observe the process firsthand. Creating their own canvases can be a rewarding experience for artists, as it allows them to have more control over the quality and dimensions of their artworks. It's understandable that some participants may have relied on pre-made canvases in the past, but now they have the chance to learn and practice this valuable technique.

“I knew from experience that fellow participants may be unfamiliar with certain techniques, so I’ve decided to conduct the first session on learning how to stretch canvases. During my master’s program at Winchstor school of Arts, I was first introduced to stretching canvases and even taught how to create stretchers using workshop tools” – Jagmohan Bangani

By having each participant attach their own canvas to a stretcher in the next session, they will gain hands-on experience and build confidence in their artistic abilities. It's a practical exercise that will enable them to apply the knowledge they acquired from watching Jagmohan Bangani's demonstration. Engaging sessions like these not only provide valuable information but also inspire and encourage participants to explore their creativity. It's wonderful that everyone involved found the session informative and captivating. I hope the participants have a fulfilling experience attaching their canvases to stretchers in the upcoming session and continue to grow as artists. Session 2: Create your own canvases After the demonstration, participants were provided wooden stretchers and canvas roll. The fellows has to to measure & cut the rolls, stretch it over the wooden frame, use staplers and other tools create their own canvases.


Session 3: Individual art journey till Padav The participants got together after stretching their canvases for a brief introduction session. Each person shared their artistic inspiration and background, allowing others to learn about each other’s individual journeys. Whether it was childhood memories or classroom experiences or options that unfolded, that ignited their interest to pursue Arts. Each participant explained why they were attending the workshop and what led them there.


Friday, 9 June 2023

START OF PADAV PROGRAM

The 'PADAV: Art Mentoring Program 2023 at the Kaya Learning Center in Dehradun started on June 11, 2023. It is a mentorship program that provides fellowship to 20 local youth associated with the Fine Arts in Uttarakhand. As a mentor, I am responsible for providing training and art-related advice to these young artists for five days. The Kaya Learning Center aims to promote real and experience-based learning in a natural environment and the program's focus is on experiential sharing between the instructor (me) and the trainees, where budding artists of Uttarakhand will be introduced to various dimensions of contemporary art. The ultimate goal is to refine their current art practices and make them familiar with contemporary art practiced globally. 

The application process for the fellowship program was conducted through an online advertisement issued on April 21, 2023. A total of 56 applications were received for this program. A 5-member jury, including esteemed individuals like Delhi College of Art's Associate Professor -Pradeep Chauhan, Sculptor- Sunita Chauhan, Painter- Satya Sai Mothadka, and Artist Punam Sharma and Contemporary Artist- Jagmohan Bangani (me) participated in the selection process. Together, we selected a total of 20 youths for the "Padaav" program from among the applicants. 

The selected youths for the "PADAV" program come from various regions in Uttarakhand, including Almora, Pithoragarh, Pauri Garhwal, Rudrapur, Uttarkashi, Nainital, Champawat, and Tehri Garhwal. The diverse group of participants represents a range of artistic talents and backgrounds, and the program aims to nurture and elevate their skills through the mentorship and training you will be providing.



Monday, 5 June 2023

SELECTED APPLICATIONS

 Hello Friends ! 

We have selected 20 applicants for PADAV: Art Mentoring Program 2023 out of total 61 applications received from all over Uttarakhand.

The selection committee had 5 members including me and I am thankful to Chauhan Perdeep (Associate Professor Delhi College of Art), Satya Sai Mothadaka (Multidisciplinary Artist) Sunita Chauhan (Sculptor), and Sharma Punam (Painter & Art Teacher) for providing their valuable inputs for the selection.

We look forward to hosting them for the "PADAV: PHASE I" from 11th June 2023 at Kaaya Learning Centre ,Dehradun Uttarakhand.